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Five Key Takeaways from National Conference for Kids Book Creators

The most exciting thing I learned at the recent national conference of the Society of Children’s Book Writers and Illustrators (SCBWI) is that the evidence continues to mount that young readers crave high quality nonfiction — especially of the expository kind, which is the style of my most recent two books. Melissa Stewart, a friend and mentor who writes nonfiction, too, has spent months compiling research from various academic studies. I got to hear her talk about this firsthand, but she has also generously laid it all out on her blog Celebrate Science. I’ve linked to a post with a big bunch of research citations, but many of her posts are relevant, so plan to spend some time digging into it.

Spending time listening to the best practitioners of one’s craft is inspiring. The mainstage panel on nonfiction included Deborah Heiligman, Barbara Kerley, Jason Chin, and Candace Fleming. All talked about how much research they did just to get to the point where they had identified the “vital idea.” Having chosen a focus often meant that much research had to be set aside and new research had to be done to fill in around the vital idea. I had so many moments where I felt like I knew exactly what they were talking about that I tweeted this:  Nonfiction nirvana. Inspiring workshops by Asked why primary sources: “I want to meet people in their own words.” asked why NF, “The world is so interesting, I just want to learn as much as I can and share it.” My peeps, y’all.

People expect an author/illustrator of expository books about math to be … well, not like me. Several people who stopped by my signing table expressed surprise at the woman behind Mysterious Patterns: Finding Fractals in Nature. Apparently, I’m a little more outgoing and gregarious than they expect. And, if they probe a little deeper than the surface they discover that I am only good at writing about math because I am NOT a natural mathlete. I come by my understandings by reading lots of explanations written by better mathematicians than me. And then I read a lot more explanations. Eventually, I get to where I can explain it to someone who started where I did. Rather than “write what you know,” my mantra is “write what you want to understand.”

Every industry professional — agent, editor, art director — is swamped with submissions. Every single one has more material coming in than they can possibly handle. This means we must rely on the wider community of writers and artists to help us get our work into its best possible shape — before we submit. There is no shortcut for putting in the work — even for the well-published among us. As Kevin Lewis, an agent with Erin Murphy Agency, and Alexandra Penfold, an agent with Upstart Crow Literary, put it: “Don’t jump precipitously. Wait a beat.”  “You only get fresh eyes once.”

Finally, I spent a lunch hour with #kidlitwomen organizers strategizing about ways to push for equal treatment for women and for all people from marginalized groups in children’s publishing. If you want to get involved in or follow this important conversation, please check out the kidlitwomen group on Facebook. A first step we identified is to gather data documenting disparities. These include unequal pay for the same work; fewer marketing dollars put behind work by or about women/girls/other underrepresented people, etc.

My trip to Los Angeles for the SCBWI Summer Conference was paid for in part by a grant from the Mississippi Arts Commission. The MAC is funded by the Mississippi Legislature and by the National Endowment for the Arts, which is in turn funded by Congress. I am grateful for this public support of the arts. My thanks go in particular to my state representative, Christopher Bell; my state senator, David Blount; my U.S. House Rep. Gregg Harper; and my two U.S. Senators, Roger Wicker and Cindy Hyde-Smith.

Thank you, Mississippi Arts Commission!



For years, I have received various types of support from the Mississippi Arts Commission. This week I learned I had received a mini-grant to defray some costs associated with attending the  2018 Summer Conference of the Society of Children’s Book Writers and Illustrators. Held in Los Angeles each summer, the conference offers terrific sessions on all aspects of creating books for young people.

This year I am going into the conference with a manuscript in revision at Boyds Mills Press. Soon enough, I will be turning my attention to marketing the new book. I know I will learn new strategies from my colleagues. I will also be soaking up everything I can by way of inspiration from the best nonfiction writers in the field. The Mississippi Arts Commission is funded by the National Endowment for the Arts and the Mississippi Legislature. I am grateful for the public resources that help me produce engaging texts for children — all from the nature I find around me in Mississippi.

Fractals in Asheville

Home from a great trip to Asheville, North Carolina, where I met friends and talked a lot about fractals. After the book stuff, I went to a family wedding. But first, Asheville … I met up with Joe D’Agnese and Denise Kiernan. Joe wrote Blockhead, a picture book biography of Fibonacci that came out in the same season as Growing Patterns. We enjoyed wonderful food and fellowship.

Malaprops

I signed books at Malaprop’s Bookstore.

hall fletcher
I did a presentation for 4th and 5th graders at Hall Fletcher Elementary School, and made fractals with 5th graders.

group pic
Those of you who follow me on Facebook will know that I also sat for an interview with Greta Johnsen, the co-host of Nerdette, a podcast that is distributed by WBEZ in Chicago. I’ll keep you posted for when that will air.

Like true kindred spirits, Joe and Denise had sunflowers in their garden. I love sunflowers.

flower1ash

flower2ash

Horn Book Gives Mysterious Patterns Strong Review

mysterious patterns coverMy Horn Book magazine arrived yesterday with the review for Mysterious Patterns: Finding Fractals in Nature. It brought a big smile to my face.

“Bring up the math term fractals in a roomful of adults, and it’s likely quite a few eyes will glaze over. Yet wife-and-husband team Sarah and Richard Campbell (Growing Patterns: Fibonacci Numbers in Nature, rev. 5/10) succeeds in making fractals accessible and engaging to—get this—the elementary-school crowd. Sarah Campbell’s writing is clear, fluid, and concise, effortlessly so.”

The review is illustrated with a spread from the book (pp.12-13), which explains fractals and illustrates the explanation with a graphic of a fractal tree and a photograph of a living tree. Here’s a blog post from the day we took the tree photographs.

It still gives me thrill to see my work reviewed in The Horn Book because it has been part of my education in children’s books. “Glossy, well-designed pages feature crisp, up-close photographs, which pair perfectly with the text — making this the go-to choice for introducing fractals to children (and grownups).

Back-to-Back Conferences

On Friday, I drive to New Orleans to present at the International Reading Association‘s Annual Conference. I’ll be doing a session Saturday called “Reading and Writing Science Books? Paths to Creating Authentic Informational Texts,” with Dr. Amy Broemmel, who teaches pre-service teachers at the University of Tennessee at Knoxville, and Jessica Crosby-Pitchamootoo, who is a reading specialist at Girls Prep Charter School Bronx in New York. I spent a few days at Girls Prep in March, which you can read about here.

I will be signing copies of Mysterious Patterns and my other books on Sunday at 10 a.m. at the Boyds Mills Press booth.

On Monday, I fly to Pennsylvania for Writing About Nature, a Highlights workshop held at the homeplace of Highlights’ founders, Garry and Caroline Meyers. I’m excited to be on a faculty that includes Dianna Hutts AstonSallie WolfDebbie S. Miller, Mark Baldwin, and Andy Boyles (science editor at Highlights). I’ll be presenting a session titled “Photos + Stories = Winning Nonfiction,” critiquing manuscripts, and learning more about nature journaling and photography.

Boston Globe Review

The Boston Globe ran a nice review of Mysterious Patterns, too. “Sarah C. Campbell, aided by photographs she and her husband, Richard P. Campbell took, explains what does (lightning) and doesn’t (a swallowtail caterpillar’s markings) constitute a fractal. She delivers a tidy education, gives a nod to the use of fractals in the built world, and offers the hope that readers will invent new uses.

Read full review here.

Guest Posting at Elizabeth Dulemba’s Blog

Today, I offer tips on finding and working with experts when you are writing nonfiction for children. My post appears on the blog of children’s author/illustrator Elizabeth Dulemba, a friend from SCBWI’s Southern Breeze region. I hope you’ll click here to read the post. You could win a free copy of Mysterious Patterns: Finding Fractals in Nature.

Elizabeth has a new novel out next month called A Bird on Water Street. I read an advance copy and I think she did a masterful job of exploring the environmental impacts of resource mining through the eyes of boy growing up in Appalachia.

Physically, I am in Boston for the annual convention of the National Science Teachers Association. I will present in a session titled, “A Real-Life Page Turner: Award-winning Trade Book Authors Share Their Research Strategies” and then Richard and I will sign copies of Mysterious Patterns. I’ll post pictures when I get back home.

 

 

The F&Gs for Mysterious Patterns Arrived!

I’m very excited to have the glossy pages in my hands! (Here’s a good explanation of F&Gs from Editorial Anonymous.)

Mysterious Patterns F&Gs

All the back-and-forth we did on layout, design, and final nit-picky details was done by sending electronic documents back and forth. I always have to trust that the photographs are going to be clear, sharp, and crisp when they are printed on real paper. And, they are! I love it when a book comes together. (OK, so this one is not bound yet, but we are oh, so close!)

Another fun piece of news is that I’ve been invited to join the faculty of the Writing About Nature Retreat offered in May 2014 by the Highlights Foundation. Read about the other great faculty here, and consider joining us. I participated in similar workshops in 2007 and 2009. You can read some posts about previous workshops here.

The Marketing Begins

I guess it’s time to write about work again. I’m in the lull between finalizing text and images for my newest book, Mysterious Patterns: Fractals in Nature, and seeing a layout. Today, I got an email from Boyds Mills Press that officially jumpstarts the marketing process: the author/illustrator questionnaire for books on the 2014 Spring List.

I’ve already been marketing for Mysterious Patterns in several ways:

daisy luck
Someone who knows more about children’s publishing than I do said the best marketing for already published titles is to get a new book out, so I’ve spent a good lot of time this year gearing up for a marketing campaign for Growing Patterns: Fibonacci Numbers in Nature and Wolfsnail: A Backyard Predator.

Two Sessions at NSTA 2013

I’ve been hard at work on the work-in-progress. And, the work is hard. I’m wrestling text and images and graphics into place, staring down a deadline. In the last two days, I’ve made really good progress. There’s nothing like having Richard available to produce the graphics I need when I need them. I wish he were my full-time office companion.

After two long days, I need to let some things settle a bit so I have time for a quick blog post. I was in San Antonio last weekend for the National Science Teachers Association annual convention.

Sarah at NSTA13

I was one of nine authors (Terry Jennings (Gopher to the Rescue), Darcy Pattison (Desert Baths), Elizabeth Rusch (The Mighty Mars Rover), Melissa Stewart (Under the Snow), Catherine Thimmesh (Team Moon), Peggy Thomas (Farmer George Plants a Nation), and Sallie Wolf (The Robin Makes a Laughing Sound) who participated in a workshop titled: “Integrating Science and Literacy: A Journey, Not a Destination.” Each of us was paired with a professor of education. My partner was Dr. Amy Broemmel from the University of Tennessee at Knoxville. She helped me share the educational materials I’ve developed for Wolfsnail and Growing Patterns with four groups of teachers who rotated through our table. She took these photographs.

the backstoriesIn my second session, “The Power of Scientists’ Stories in Teaching NGSS Methods and Practices,” I teamed up with Dr. Kristin Rearden, who also teachers at the University of Tennessee at Knoxville, and Andy Boyles, science editor at Highlights.

Once again, it was my job to share ideas with teachers for using my books in classrooms to meet the Next Generation Science Standards (NGSS).

teaching looking at snail on move book

I led the group in making a Fibonacci Folding Book, and talked about the Fibonacci Puzzle, the Wolfsnail On The Move book, and the instant book.

Kristin Rearden

Here is Kristin talking about bringing pinecones into the classroom to have students look for the Fibonacci sequence in the spirals on the bottom.

three presentersWe had lunch after our session to talk about what we might do for future conferences. Presenting at national conferences is always a wonderful experience because it brings me into dialogue with the people who use my books in classrooms and libraries with kids. I always learn things, and I always have fun.

Check out a new blog called Perfect Pairings: Linking Science and Literacy written by Kristin and Amy. You’ll find great trade picture books to use in your classrooms.

Studio Tour

I am the featured artist today on the Southern Breeze Illustrators’ Corner blog. Richard and I produced a studio tour. Take a look and let me know what you think.

Thank you, Mississippi Arts Commission!

I learned today that I received a $500 minigrant from the Mississippi Arts Commission to cover the cost of three sets of marketing materials. Many of you know that Richard and I developed a new logo and a new website this year. The minigrant will pay for printing of new business cards, a Fibonacci Puzzle marketing piece, and a new set of bookmarks.

Many of you know I have a new manuscript under consideration at Boyds Mills Press. I hope to have news soon. In the meantime, I thank the Mississippi Arts Commission, members of the Mississippi Legislature, and the National Endowment for the Arts for continuing to support my work as a Mississippi artist.