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Oldest Photographs from One Side of the Family

I am helping my mother and aunt with a family tree project. Both of them have been collecting facts, stories, and photographs on and off for decades. We think these are some of the oldest photographs we have in the family.
Bridget Healy Queeny Dillon
Thought to be Bridget Healy Queeny Dillon, who came to the United States in early adulthood. She was married to Mr. (?) Queeny and had two daughters. After Mr. Queeny died, she married Patrick Edward Dillon. Together they had a son, Richard Joseph Dillon, born on August 6, 1853, pictured here. Bridget is my great-great-great grandmother. Guessing young Richard to be less than two years old, it would seem this photograph would be from the late 1850s. Is this possible? Likely? Is it a daguerreotype?

unknown family memberThis is a photo of Catherine Weber. She is the mother of the first husband of my great-great grandmother, Clara Elizabeth Kraemer Otte (Gutting).
Our family history website is on my website here. You need to be a member of the family with login privileges to make changes and to view information on living family members. Contact me here, if you are family and want to join.

Growing Patterns with Stickers

I have time for a quick post today. One of the things I got in San Francisco was a whole bunch of stickers that say Outstanding Science Trade Book. I affixed them to the copies of Growing Patterns we sold at the NSTA convention, but I was eager to get a new image of the book featuring its stickers: the OSTB and the ALA Notable.

GP cover with stickers

In addition the partnering with the Children’s Book Council to select Outstanding Science Trade Books, the NSTA also has a program called NSTA Recommends. Growing Patterns is an NSTA Recommends title and the review appears here.

NSTA Annual Conference

I blogged about my school visits in the San Francisco area, but once I moved on to the NSTA conference, I stopped posting updates. There were a few reasons for this: First, I moved into The Palace Hotel and they charged for internet in the rooms (I still don’t understand why budget hotels provide free internet and breakfast and so-called luxury hotels charge through the nose for both). Second, I was working from breakfast to supper and falling asleep after a few clicks of my Kindle.

Boyds Mills Press rented a corner booth in the conference exhibit hall and my editor, Andy Boyles (pictured above helping M. make a Fibonacci Folding Book), and I were responsible for greeting conferees. Andy arranged display copies of all of BMP’s science titles around the walls of the booth. We set up a table in the front of the booth with display copies of Wolfsnail: A Backyard Predator and Growing Patterns: Fibonacci Numbers in Nature. I put out my two mini-quilts (here and here), some private eye loupes, a pinecone, a nautilus shell, a sample Fibonacci Folding Book, and a stack of my postcards. I’ve gone to two other national conferences, the 2009 American Library Association meeting in Chicago and the 2010 International Reading Association convention (also in Chicago). In those cases, I was one of many BMP authors and illustrators who signed books. I was scheduled for an hour on each day. This time, I was signing all day every day. We left the booth only for three presentations (two featured information about 2011 Outstanding Science Trade Books) and a lunch meeting. I met lots of interesting people — some who teach science to kids, others who teach teachers how to teach science to kids, and people who work with organizations that promote science education.

We sold all the copies of Growing Patterns that BMP shipped and could have sold at least a dozen more. It helped that many teachers had seen the feature article about the 2011 Outstanding Science Trade Books for Students K-12 in Science & Children, NSTA’s magazine for elementary school teachers. Andy and I had a great time having lunch with current, former, and future members of the Outstanding Science Trade Book selection committee, including Suzanne Flynn, J. Carrie Launius, Betty Crocker, Steve Rich, Karen Ostlund, Kristin Rearden, and Juliana Texley. We also met Lauren Jonas and Emily Brady, who are on staff at NSTA and help coordinate the NSTA Recommends program and the OSTB list. We learned about the process and met some great people. Most of them seem to be on their second or third career. They started in classrooms teaching kids and then went into either administration or into teaching teachers at the college or post-graduate level.

They had stories about using trade books in classrooms. Juliana told me about the time she took flowers on an airplane so she could use them in a presentation about my book. They didn’t like the dry environment and shriveled beyond use. She had to hit a grocery store for replacements. One plant she bought was a peace lily (featured in the book to illustrate 1). When it was time to go home, she put it in her suitcase. “I threw some clothes away and made room for it,” she said. “It’s still doing fine.”

Right after lunch, I participated in a session featuring the 2011 NSTA/CBC Outstanding Science Trade Books led by some of the teachers at the luncheon. Other authors with winning books who participated were: Debbie S. Miller, who wrote Survival at 40 Below, and Seymour Simon, who wrote Global Warming.

The final session Andy and I attended was led by Seymour Simon and centered on the changes in children’s book publishing being driven by electronic devices. Simon and his wife, Liz Nealon, who has worked in many creative capacities over the years including with Sesame Street, talked about the growing numbers of children and families who have access to electronic reading devices such as Kindles, iPads, Nooks, iPhones, etc. Simon demonstrated how he has begun publishing some of his out-of-print titles in electronic format. His talk was very inspiring and I left there thinking about how I could get some e-publishing going.

I mentioned it to Richard when I got home and he’s spent a good amount of time this week building an iPhone app for Wolfsnail. How cool is that?!

Why My iPhone Is Bad For My Photography

I am almost never without my iPhone. When I get the urge to take a picture, I pull it out and snap. This is bad for my photography because I tend to get crappy photographs and they are very low resolution compared to my Nikons.

lettuce sprouts

lettuce germinating taken with my iPhone

Here’s a good example. I should have taken the one-minute walk back to the house to retrieve a real camera. I could even have put on the macro lens. Then, I would have had a chance of getting these dicots in all their beauty. And, since they are the first seedlings in my garden this year, they deserve a real photograph.
raised beds

These are my raised beds. Richard and the boys built them three years ago. We had a great year the first year and a so-so year the second. I am hoping for another good year. I am using good seeds and starting most of them inside. Last year, we had a big flash flood that washed out the middle bed and took the wind out of my sails.
rain barrell

So far, all the water I’ve used has come from my rain barrel. I expect my water needs will exceed this supply, eventually, but right now it’s nice to be using rainwater.

One caveat on the iPhone photography thing. It has saved my butt a few times when the real camera I had along didn’t work for some reason — usually a dead battery. I had to use it to get photographs of classmates at a recent funeral and the kids’ MathCounts team.

Sarah with blue bottle

in Wisconsin

Guest on Read, Write, Howl
My writer friend Robyn Hood Black did an interview with me that appeared on her blog. She pulled a few obscure facts out of me that tickled some of my other writer friends. This photograph is a clue.

The photograph below is another clue.

I am looking forward to seeing my writer friends this weekend in Atlanta at the SpringMingle’11, the spring conference of the Southern Breeze region of SCBWI.

girls at store

In Mississippi at the old store

Guest Post on Cynsations

Today I am a guest on Cynsations, where I write about how I developed educational materials for my books. Come on over. I have a special treat for the next month.

book
another book

Behind-the-Scenes of a Self-Portrait

As promised, here is a short film Richard created from my self-portrait session. I hope you enjoy this window into my creative process.

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Publicity Photo Shoot

I like keeping my publicity photo current. When I decided recently to go back to wearing contacts after nearly 10 years of glasses, I realized I needed a new publicity photo. Richard was also eager to schedule a photo shoot because he (OK, we) got a new camera for Christmas and he wanted to see what it could do. We used two cameras for the photo shoot: one to take the portraits and one to film the experience. The new camera, the Nikon D7000, takes video and uses the same lenses we have for our other Nikon cameras. Richard put together a short video to show our process.

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Growing Patterns Review on A Fuse #8 Production

cover with geiselAll authors and illustrators have hopes and dreams for their books. Some of us have a hard time speaking these dreams out loud. It seems presumptuous, I guess, to speak of the possibilities: a kid begging mom to check it out again and again; a teacher using it in the classroom; positive reviews; and the un-whisperable awards. I feel so lucky in Wolfsnail to have had a first book that succeeded beyond my modest hopes and dreams. It proved a hit with readers, teachers, librarians, parents, bloggers, and naturalists.

growing patterns coverWith Growing Patterns, my second book, I catch myself expecting things that were delightful surprises with Wolfsnail. This time I allowed myself to expect reviews in the professional review press, and, thankfully, they came. I tried not to let the pressure of living up to a successful first book faze me. While I was writing, and Richard and I were taking photographs, we immersed ourselves in the challenge of bringing a picture book about Fibonacci Numbers in Nature to early elementary aged kids.

One of the great things about Wolfsnail, to be sure, was the surprise. I mean, a meat-eating snail? As I did the early work on Growing Patterns, I kept thinking “I can’t believe no one did this before.” After all, people have been writing about Fibonacci Numbers for centuries. The deeper I got into it, I realized that at least one possible explanation for the fact that no one had done this before was that it was impossible. But I believed so strongly in the child’s fascination with flowers, numbers, and patterns, that I kept on pushing. I kept on trying new things.

Elizabeth BirdI also showed it to a lot of kids and was encouraged by their enthusiasm and interest. One of the things I always hope for as I launch a new book is that kids and others who care about their reading lives will take it seriously. This week a review appeared on A Fuse #8 Production that was enormously satisfying. First of all, it was written by Elizabeth Bird, an influential voice in children’s literature. A review on Bird’s blog, which appears on School Library Journal, is another one of those things for which you hope. She said some very nice things — about Wolfsnail and Growing Patterns. But, what I appreciate most is that she understood the complexities of the project and could see the ways we tried to address them. Here’s a long excerpt from the review:

“I did appreciate that the book makes an effort to be a little subtler than a Fibonacci book for children in the past might have been,” she writes. “In the old days a non-fiction title for kids would be more than happy to merrily proclaim that Fibonacci was an Italian fellow who discovered these numbers and published a book on them in 1202, end of story. Ms. Campbell, however, mentions more than once that before Fibonacci was strutting about, these numbers were known in India by a variety of scholars (and she even names them by name). There’s also a note at the end of the book that says, “Not all numbers in nature are Fibonacci numbers. A dogwood has 4 petals, and an amaryllis has 6.” You’d be forgiven if your natural reaction to this was an outraged, “So what’s the point then?” Fortunately, if you read the extra text in the back there’s an actual little section there called “Why Fibonacci Numbers?” that says that these numbers show up 90 percent of the time in plants with multiple parts around a single stem. It’s not perfect, but it’s there.”

St Therese kids reading Growing Patterns“There is no non-fiction subject so interesting that full-color photographs taken post-1990 cannot improve. Would Nic Bishop be the star he is today if he didn’t have the power of his lens to work with? The Campbells gave Bishop a run for his money a couple of years ago when they photographed one of the world’s more slimy denizens in Wolfsnail: A Backyard Predator. The obvious difference here is that while most of these photographs are taken in nature, just as Wolfsnail was, others have been doctored for teaching purposes. The most obvious example is a two-page spread that shows the same pinecone three times but with different digitally darkened spirals in two of the shots. It’s a good thing the text says that “All the pictures on these two pages show the same pinecone” because otherwise it would ruin the whole purpose of the shots. Of course all the photos are lovely, but it’s nice to also see that they serve to drill home certain points.”

The other great thing about thorough, careful reviews is that they remind you once again that any success your book is enjoying depends on the work of so many people: my editor, Andy Boyles; my art director, Tim Gillner; my copy editor, Joan Hyman (whose gentle insistence on clarity made the pineapple pages work!); and, of course, my mother, Patty Crosby, (whose reading about money tipped me off to the earliest references to the Fibonacci sequence). Thanks, everybody. We’re six months into the life of Growing Patterns and things are going really well.

P.S. I have several of Elizabeth’s reviews cut and pasted in files on my computer. One relates directly to the new manuscript I’ve been talking about. Once I find it a home, I’m going to write to her and tell her she was part of the inspiration!

Photographs from Ocean City

Pinecone with 5 spirals and 8 spirals

Lovely windy beach


washed up on beach. a ray?


Wild flower growing along sidewalk on Coastal Highway. A five.


shell

School Work and Wolfsnail Blog Review

Getting the framing just right

I went back to Davis Magnet School today to facilitate the writing of captions. If you remember, I went out with second graders earlier this month as they photographed their neighborhood for a unit called Davis on the Map. Today, I sat with groups of four or five at a time at a kidney shaped table and we talked about proper nouns, active verbs, capitalization, spelling, and pronouns. We learned words: official, baptismal, peel, kiln, convince, unresolved and Jamaica. We had to consult dictionaries, the internet (which was slow and ineffective – ha!), and the teacher’s notes.

As the teacher and I worked with each group writing captions, the other students spent time going from one center to another. One of the centers was dedicated to books that were related to our unit. I added a work-in-progress of mine to the pile and invited the students to read it and make comments. Once our caption writing work was done, I talked with three students about the manuscript. One girl expressed her observations in the form of “text to self connections and text to text connections.” This particular manuscript is missing an ending so I asked them to give me their ideas and, of course, they had some good ones. I love interacting with my audience!

Wolfsnail update: A new review of Wolfsnail: A Backyard Predator went up on Maggie Reads, the blog of a librarian in the northeast part of the state. I really appreciate the kind words about the book and the recommendations for its use with kids. She also mentioned Growing Patterns: Fibonacci Numbers in Nature.


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