With Growing Patterns, my second book, I catch myself expecting things that were delightful surprises with Wolfsnail. This time I allowed myself to expect reviews in the professional review press, and, thankfully, they came. I tried not to let the pressure of living up to a successful first book faze me. While I was writing, and Richard and I were taking photographs, we immersed ourselves in the challenge of bringing a picture book about Fibonacci Numbers in Nature to early elementary aged kids.

One of the great things about Wolfsnail, to be sure, was the surprise. I mean, a meat-eating snail? As I did the early work on Growing Patterns, I kept thinking “I can’t believe no one did this before.” After all, people have been writing about Fibonacci Numbers for centuries. The deeper I got into it, I realized that at least one possible explanation for the fact that no one had done this before was that it was impossible. But I believed so strongly in the child’s fascination with flowers, numbers, and patterns, that I kept on pushing. I kept on trying new things.

I also showed it to a lot of kids and was encouraged by their enthusiasm and interest. One of the things I always hope for as I launch a new book is that kids and others who care about their reading lives will take it seriously. This week a review appeared on A Fuse #8 Production that was enormously satisfying. First of all, it was written by Elizabeth Bird, an influential voice in children’s literature. A review on Bird’s blog, which appears on School Library Journal, is another one of those things for which you hope. She said some very nice things — about Wolfsnail and Growing Patterns. But, what I appreciate most is that she understood the complexities of the project and could see the ways we tried to address them. Here’s a long excerpt from the review:

“I did appreciate that the book makes an effort to be a little subtler than a Fibonacci book for children in the past might have been,” she writes. “In the old days a non-fiction title for kids would be more than happy to merrily proclaim that Fibonacci was an Italian fellow who discovered these numbers and published a book on them in 1202, end of story. Ms. Campbell, however, mentions more than once that before Fibonacci was strutting about, these numbers were known in India by a variety of scholars (and she even names them by name). There’s also a note at the end of the book that says, “Not all numbers in nature are Fibonacci numbers. A dogwood has 4 petals, and an amaryllis has 6.” You’d be forgiven if your natural reaction to this was an outraged, “So what’s the point then?” Fortunately, if you read the extra text in the back there’s an actual little section there called “Why Fibonacci Numbers?” that says that these numbers show up 90 percent of the time in plants with multiple parts around a single stem. It’s not perfect, but it’s there.”

“There is no non-fiction subject so interesting that full-color photographs taken post-1990 cannot improve. Would Nic Bishop be the star he is today if he didn’t have the power of his lens to work with? The Campbells gave Bishop a run for his money a couple of years ago when they photographed one of the world’s more slimy denizens in Wolfsnail: A Backyard Predator. The obvious difference here is that while most of these photographs are taken in nature, just as Wolfsnail was, others have been doctored for teaching purposes. The most obvious example is a two-page spread that shows the same pinecone three times but with different digitally darkened spirals in two of the shots. It’s a good thing the text says that “All the pictures on these two pages show the same pinecone” because otherwise it would ruin the whole purpose of the shots. Of course all the photos are lovely, but it’s nice to also see that they serve to drill home certain points.”

The other great thing about thorough, careful reviews is that they remind you once again that any success your book is enjoying depends on the work of so many people: my editor, Andy Boyles; my art director, Tim Gillner; my copy editor, Joan Hyman (whose gentle insistence on clarity made the pineapple pages work!); and, of course, my mother, Patty Crosby, (whose reading about money tipped me off to the earliest references to the Fibonacci sequence). Thanks, everybody. We’re six months into the life of Growing Patterns and things are going really well.

P.S. I have several of Elizabeth’s reviews cut and pasted in files on my computer. One relates directly to the new manuscript I’ve been talking about. Once I find it a home, I’m going to write to her and tell her she was part of the inspiration!

I made the above piece recently as I was working through some difficulties with my current story. Spending time handling fabric, calculating lengths, sewing, trimming, and hemming is like brain food. A good friend got this for a birthday present, but it was a gift to me, too. It is the second in my “Not White” series. My sister, Jessica, got the first piece for Christmas.

Now that I’ve mentioned it, I’ll tell you more about my current story. I’m writing a picture book that centers on an event in my early life. It’s set in 1973 and is quite a departure from my two previous books. I won’t be illustrating it with photographs and it can’t be called nonfiction. It’s full of dialogue. I pushed really hard to get it ready by this week so I could send it for critique at the fall conference of Southern Breeze region of the Society of Children’s Book Writers and Illustrators.

Registration is open for the conference, which will be held in Birmingham on Oct. 16. If you think you might want to write magazine pieces or books for children, please come.

In other news, Growing Patterns: Fibonacci Numbers in Nature was featured in two more reviews. The Midwest Book Review called the book “lovely and different.” Growing Patterns “ties math to nature and creates lovely closeup photos of this number sequence.”

On the blog Moms Inspire Learning, the writer suggests pairing the book “with a nature walk to count the petals on flowers, or children might enjoy examining actual pinecones and pineapples.” See the full entry here.

On the internet I found out that she lived in Maryland. When she came to Lemuria bookstore in Jackson to sign, I made sure I went. I had to work up the courage to admit that I was trying to be a writer for children, too. She was kind and encouraging. Most folks in this business are, but there was something about her “you can do it,” that I believed. Deborah  (who now lives in Atlanta) came back to Lemuria this week to sign Countdown, her genre-busting new book. It is a documentary novel, chock full of black and white photographs, advertisements and other visuals from 1962.

Deborah read from the book’s opening and then a tiny snippet from much further in. I could have listened much longer. I think she should record the audio book version. I feel so lucky to live in a town with a fabulous independent bookstore that has a very cool performance space for readings. Here is a picture of Emily Grossenbacher, the manager of Lemuria’s children’s store. You can read her post about Countdown here.

“In an engaging manner, the author guides the reader to observe the pattern of petals in several clearly illustrated pictures of flowers and then describes the rule for obtaining the Fibonacci numbers,” she writes. This review journal is available for download on the AAAS website.

In collaboration with teachers and a librarian friend, I have designed two projects that combine writing and photography. They are: The Fibonacci Folding Book Project and [Your School] on the Map. Regular blog readers will have followed the development of these projects. Julie Owen, librarian at St. Therese Catholic School, helped develop the Fibonacci Folding Book Project. It is a companion to Growing Patterns: Fibonacci Numbers in Nature.

Second grade teachers at Davis Magnet School, most notably Beth West, helped develop Davis on the Map, or [Your School] on the Map. You may click on the “Davis on the Map” category to the right to read about this project. Both of these projects feature the study of the work of a master artist, the opportunity for students to create original artwork, and an exploration of the program’s theme (Community: A Sense of Place.) Each meets curriculum objectives in the visual arts and several academic areas.

The committee voted in February to add the children’s award to its list, which has traditionally included fiction and nonfiction for adults. A list of previous award winners can be found here.

In other news, my friends at Boyds Mills Press shared today that a professor in the College of Education at the University of Illinois is using Wolfsnail in a course on using children’s literature to teach.

When I posted photographs from our recent trip to Oregon, I forgot to include this one, which is actually one of my favorites. Somehow it didn’t get flagged. I hope you enjoy the two semi-circles in the composition as much as we do.

Crater Lake, July 2010

Bend

I can already see that these panoramas are not suited well to the size constraints of a blog.

Crater Lake

Bend

Bend

Bend

Sarah in Bend

Sarah at Crater Lake

Bend

Multnomah Falls

Multnomah Falls

D and G at top of Multnomah Falls

Bend early morning

Wildflowers in Bend

walking trail in Bend

Sarah at Crater Lake

Crater Lake

Crater Lake

Wildflowers at Crater Lake

Wildflowers at Crater Lake

D on beach in Waldport

On the Growing Patterns front, a positive review appeared at Curled Up With a Good Kid’s Book. Science News recommended it here.

I will be doing story time at the Charles W. Tisdale Library on Tuesday at 10 a.m. Come see me.